[ZHE]∎ Libro Gratis All Heads Turn When The Hunt Goes By John Farris 9780812582642 Books

All Heads Turn When The Hunt Goes By John Farris 9780812582642 Books

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All Heads Turn When The Hunt Goes By John Farris 9780812582642 Books

John Farris' All Heads Turn When the Hunt Goes By is one of the most original and creative works available in the horror genre and will surely be hailed as a masterpiece of horror fiction.

The novel continually flits between different subplots that constitute some of the most unique, original and innovative ever conceived by a horror writer, traveling back and forth between story lines that are captivating, engrossing and highly entertaining; taking the reader on an unpredictable journey that totally qualifies as a thrilling and fine read. All said, this is one of the finest and greatest horror novels ever written.


Tags : All Heads Turn When The Hunt Goes By [John Farris] on Amazon.com. *FREE* shipping on qualifying offers. The military wedding of Clipper Bradwin, youngest son of the old, distinguished Virginia family, begins a series of events marked by the blood vengeance and terror that have followed the family from its actual beginnings in the dark African jungle,John Farris,All Heads Turn When The Hunt Goes By,Tor Books,0812582640,Horror - General,Fiction,Fiction Horror,Horror

All Heads Turn When The Hunt Goes By John Farris 9780812582642 Books Reviews

Farris' book of voodoo sorcery is an intricately weaved work of plot and subplot. Ostensibly about the cursed lineage of the Bradwins, this book takes you from the plantations of Virginia to the countryside of England to the colonial age jungles of the heart of Africa (places Joe Conrad would not have even stepped foot in). This range of settings, times, and characters, apparently disconnected yet insidiously linked by dark, ancient forces, gives this book an almost Lovecraftian feeling. It is as if these forces can and are affecting each and every individual on this planet, yet we are naively and mercifully unaware of these unseen powers. That is, until those powers wish to make themselves known. This virtual omnipresence is illustrated in one scene where the character of Early Boy is talking to the self confessed voodoo priest. The old man tells Early Boy that voodoo is not primitive superstition or nonsensical sorcery but a sophisticated and very ancient religion predating and even the basis of modern religions. He says that Moses himself learned magic from powerful voodoo masters in the African jungles and therefore pretty much all of Christianity and Judaism is based on voodoo.
Instead of giving us a simple "voodoo men raise demons and other boogeymen with curses" type plot, which is straight out of a B movie, Farris structures the story so that it is believable, frightening, sophisticated, and chilling in its insinuations. Nor is this the type of story that has a predictable plot. You never guess the horror of the first few pages and you will never see the ending coming. Farris also never fails to give us great action throughout the story. A character jumping out of a window sending shards of glass flying is just the norm in this story. And they do get cut. "What do you think this is, a western?" as Early Boy says. Farris not only gives us a masterfully woven plot, he also delievers great action, and a pretty good scary story.
There are certain novels that are discovered early on by other novelists and talked about constantly. Some of the time, the public picks up on these and turns them, and their authors, into popular figures. Far more often, however, they are left in obscurity among the masses while achieving legendary status among the industry insiders. Anne Rivers Siddons' _The House Next Door_ is a prime example; Lee Smith's _Oral History_ is another. And there are many other examples, including this tome, which achieved something close to legendary status even before its publication-- and then disappeared, despite having the kudos of almost every major horror writer of the time thrown at it. Twenty-two years later, Farris is dimly remembered as having authored the novel that was the basis for the very bad movie _The Fury_ (1976) and nothing else. Which is something of a crime, because Farris was above average as far as seventies horror novelists went; of course, most of those have faded into (well-deserved) obscurity, as well, but a few live on. And Farris, while not on the same level as King and Koontz, is certainly no more than a shallow notch below either. And he was miles above, say, Frank de Felitta, whose every book went to #1 on the NYT chart and smashed publication records.
That being said, I've read a smattering of Farris over the years. His work is readable, if not compulsively so, and it goes quick-- if it weren't for the supernatural elements, I'd call Farris a writer of slick mysteries in the John D. MacDonald tradition. He has the same sense of pace and timing, and the same wry, understated sense of irony that, when it works, is as funny as anything ever penned by Douglas Adams. And this was right along the same lines. Not as much a travelogue-style book as many of his others-- this one is set, alternately, in the Blue Ridge Mountains (in a school obviously supposed to be VMI), in England, and on a plantation in the deep south known as Dasharoons. The action takes place in WW2, and ties together the plantation's owners, who seem to be cursed, and the son of a missionary doctor in the Congo.
Much of what happens here is, if not predictable, at least understandable to someone with an extra twenty-two years of scholarly research on various subjects under his belt. But this book came before a lot of that research, and so some of the details contained therein are astounding in their accuracy. (Farris stretches the truth now and again, but one wonders if that wasn't the going wisdom at the time on some things.) Of course, telling you what all this research went into would destroy most of the book's sense of disjunction; you kind of feel you have a sense of what's going on, but you're not really sure. (It's possible that those unfamiliar with these areas of research will be completely out of their depth.)
Because of the advances being made in anthropology and sociology, the book hasn't held up well on that level. But that's not the book's fault, and I tried to not penalize the book for what's gone on around it in the world since. Farris does a good job of capturing the deep south during WW2, everything has a rational explanations right up to the end, the characters are drawn well enough so that you start to worry about what happens to them (if not immersed, a la Walker). In general, a good, solid, easy read.
I didn't like this novel. Yes, it is a very well written classic. And I'm giving it 4 stars because it really is an excellent horror novel. Were I to subject myself to a re-reading, I'm certain I'd like it more. But I just did not enjoy it. And I'm not at all sure why. I'm just posting a review because that's what I'm doing for all of the Marketplace purchases that I read. I've got nothing more to add.
This here's perhaps one of the best horror novels I've ever read. Great characters and complex plot, from it's startling beginning to the satisfying climax, it's a page turner that could make a perfect HBO mini series. Included in the 100 Best Horror Novels by Stephen Jones. Highly Recommended.
John Farris' All Heads Turn When the Hunt Goes By is one of the most original and creative works available in the horror genre and will surely be hailed as a masterpiece of horror fiction.

The novel continually flits between different subplots that constitute some of the most unique, original and innovative ever conceived by a horror writer, traveling back and forth between story lines that are captivating, engrossing and highly entertaining; taking the reader on an unpredictable journey that totally qualifies as a thrilling and fine read. All said, this is one of the finest and greatest horror novels ever written.